Die Fotomontage im faschistischen Italien: Aspekte der Propaganda unter Mussolini

This publication investigates for the first time the official, private, and commercial role of photomontage in Italian fascist propaganda. By linking political iconography to iconology as a historical hermeneutic method and to the aesthetics of reception, the author shows the meaning of numerous montages, generating insights about the themes and mechanisms of fascist propaganda.

• Neue Erkenntnisse zur Fotografiegeschichte Italiens
• Fotomontage und Faschismus: Der Fotomonteur als Künstler
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